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Femme Noir: Bad Girls of Film
Often thought of as primarily male vehicles, films noirs
offered some of the most complex female roles of any movies
of the 1940s and 1950s. Stars such as Stanwyck, Tierney and
Crawford produced some of their finest performances in noir,
while such lesser known actresses as Peggie Castle, Hope
Emerson and Helen Walker made a lasting impression on
moviegoers with their roles in the era.
Femme
Noir: Bad Girls of Film
pays tribute to 49 actresses who were most frequently
featured in the movies of the film noir era. Many of those
studied became archetypes of the film noir femme: Gloria
Grahame as the impishly sexy masochist; Lizabeth Scott's
duplicitous schemer; Claire Trevor, the ruthless spider
woman; and Barbara Stanwyck--perhaps noir's most notorious
femme--as the grim, unflinching murderess.
All told, each of the women described in the book offer a
multiplicity of riveting depictions of beautiful femmes who
made us admire them in spite of their infamy, devilish dames
who enticed us to cheer for them between the chills they
caused to dart down our spines, and beguiling babes whose
identities remain indelibly etched in our minds, like
crimson blood on a white satin pillowcase. |
Bad Boys: The Actors of Film Noir
The film noir male is an infinitely watchable being,
exhibiting a wide range of emotions, behaviors, and
motivations. Some of the characters from the film noir era
are extremely violent, such as Neville Brand’s Chester in
D.O.A. (1950), whose sole pleasure in life seems to come
from inflicting pain on others. Other noirs feature flawed
authority figures, such as Kirk Douglas’s Jim McLeod in
Detective Story (1951), controlled by a rigid moral code
that costs him his marriage and ultimately his life. Others
present ruthless crime bosses, hapless males whose lives are
turned upside down because of their ceaseless longing for a
woman, and even courageous men on the right side of the law.
The private and public lives of over ninety actors who
starred in the films noirs of the 1940s and 1950s are
presented here. Some of the actors, such as Humphrey Bogart,
Kirk Douglas, Burt Lancaster, Edward G. Robinson, Robert
Mitchum, Raymond Burr, Fred MacMurray, Jack Palance and
Mickey Rooney, enjoyed great renown, while others, like Gene
Lockhart, Moroni Olsen and Harold Vermilyea, were less
familiar, particularly to modern audiences. An appendix
focuses on the actors who were least known but frequently
seen in minor roles.
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